Showing posts with label Voodoo Shawl. Show all posts
Showing posts with label Voodoo Shawl. Show all posts

Friday, January 25, 2008

Auction Results

The winner of the shawl auction is Kathryn Wagner, who won the Ebay bid at US$420 and who raised the donation amount to US$700 to benefit the Kagyu Thubten Choling Buddhist monastery in New York State in memory of Lily Chin's mother and sister. Thank you, Kathryn!

Thanks to all who participated in the auction, either by bidding or encouraging others to do so. Lisa and I hope that those of you who bid, but did not win, will make a donation to the monastery anyway. See previous post for details and a link to the monastery. They take Paypal and welcome donations of any amount you can afford.

I have been neglecting the blog these past few weeks due to a monster flu and sinus infection, a compatibility issue between Old Computer Stuff and New Computer Stuff, the preparation of Ye Olde Income Tax, and also? A gash on my index finger which impedes typing, spinning, tax preparation, and knitting.

More blogging soon. Thanks for your patience. In the meantime, you may want to go visit www.knitty.com and drool at the new designs ... and check out the new sock yarn at www.knitivity.com.

Carry on.

Wednesday, January 09, 2008

"Voodoo Shawl" Fundraiser Auction

Remember this? It's the beginning of a shawl that I started early in 2007 as a special fundraiser. It was still on the needles, which were tucked under the basket in this photo, to show off the Blue Moon yarn. Shortly after taking this photo of the half-done shawl, I sent it on to Lisa Louie in Maui, to finish up:




Now it is finished, and ...




as promised, the completed prototype of the "Voodoo Shawl" pattern has been placed up for auction to raise money for the Kagyu Buddhist Monastery in New York. Lisa Louie and I wanted to collaborate on it, so I knitted half, and sent her the shawl-in-progress to finish. This was also an excellent opportunity for Lisa to test-knit the pattern before it is offered for sale.


Upon completion, Lisa's husband, Paul, photographed the shawl on the beach at Kahului, Maui (Lisa is the model) and Lisa posted the Ebay auction last night. The yarn is Blue Moon "Socks That Rock," colorway "Chapman Springs":




Dammit, hell, cuss and swear. For some reason the beach photos first uploaded as wee thumbnails, but I am still having problems with scaling, so until I can get these photos to be big enough to see properly, I will throw in an addtional photo of the same shawl in a Koigu colorway, but this is just a bigger picture of the same pattern in a different yarn -- a stunt-double shawl as a stand-in until I can correct the above pictures -- this is not the shawl up for auction:








Here is the descriptive copy that my collaborator, Lisa Louie, wrote for the KnitU list:


Dear KnitU:


As regular readers of KnitU may know, Dez Crawford and I have been working jointly on knitting a shawl as a special fundraising project to honor family members a friend has lost. At long last, the shawl is done and has been listed for auction on eBay at this link.

We all have people in our lives who are so important to us there aren’t words to describe them. When these people leave our lives, especially when it is too soon or unexpected, the loss is staggering. When you lose two of these people close together, their absence can have an almost catastrophic effect on your life.

It is also wrenching to watch a friend suffer through a loss of this magnitude, and as knitters our first reaction is to knit something special for our friend. Since our friend is a renowned knitwear designer and friends with a huge number of knitters, and already has a plethora of hand knit items, we wanted to find another way to offer comfort and help. Hence the shawl, and the auction.

Most of you are already aware that our friend, Lily Chin, lost her mother and sister last year barely a month apart. It is in her mom’s and sister’s honor, and with Lily’s consent, that we created and are auctioning the shawl. All funds raised go to the Kagyu monastery in honor of Linda and Mabel.

The monastery’s building project was chosen by the Chin and Lee families for those who wish to donate in memory of Linda Chin and Mabel Chin Lee. You can get information on, or donate to, the monastery at www dot kagyu dot com. Removing the spaces and inserting the proper symbols will take you to their website.

As this is a fundraiser, we encourage everyone to view and bid on the auction. We also ask that if you are not the winning bid, or if you are unable to bid on the shawl, that you make a donation to the monastery if possible. See the EBay listing for a link. Small donations are gratefully welcomed.

For the record, the shawl pattern is an original design, under our own copyright. All funds raised will go directly to the charity. Dez and I bought the yarn, did the knitting, and will pay for the shipping to the recipient and the auction costs.

Dez and I also have several collaborations in the planning stages. While we are all missing Aunt Gail, we have another fundraiser for Susan G. Komen in Gail’s name. This new project was the catalyst for the creation of the “Aunt Gail” color way at www dot knitivity dot com which will be used to honor Gail and her legacy. And no, we’re not making socks. More details will be forthcoming.

We both hope you’ll check out the auction and bid if you can.


Aloha,



Lisa



To view the auction, click the following link.




To donate to the monastery, click here.




Our most sincere thanks to everyone who views this shawl, bids, and/or makes a donation to the monastery. The monastery welcomes all offerings, great and small, and they have a convenient Pay-Pal link if you don't bid on the shawl or win the auction. Please consider making a donation in any amount in honor of Lily's mom and sister. Lily has brought the world so much joy with her beautiful patterns; this is a small way that we can each let her know that we are still thinking of her and remembering her loss.

Wednesday, October 03, 2007

Finishitis.

One of the side effects of startitis is that eventually, I do have an attack of finishitis. In between, I may not have a whole lot of knitting to report, except maybe for the occasional pair of socks or a hat. But then all of a sudden a whole bunch of things start lining themselves up to be finished and present themselves for admiration, more or less at once.
Still, I don't seem to make a lot of progress in the middle, and overcoming inertia is particularly problematic in the late summer, because even if I set myself up directly beneath the air conditioner and venture outside only to earn money for cat food, yarn, tea and peanut butter (note my priorities), it is just too damn hot to work up my best effort for major knitting projects.
But when the first hint of anything remotely autumn-like begins to happen -- and that can be something as simple as the the first suicidal leaf, the merest hint of a breeze and a ten-percent drop in the humidity, even if the actual daytime temperature barely drops into the eighties -- the motivation finally kicks in to finish up some big things, so they can actually be worn this fall or winter.
This fine October morning dawned mild, dry and breezy, and the light was good, so I thought ahead for lunchtime today, and visited one of my favorite local haunts for a quick photo shoot.
This autumn, the first object to fall off my needles in a finished state is:





...the final version of my Voodoo Shawl pattern done in Koigu KPPPM. I have knitted this shawl four times, in four other yarns, while developing the pattern, three of which were gifts for friends, and one which will soon be auctioned off for a fundraiser (watch this blog for details!).

Of course, it does not really swoop up at the center back like that. I just used the convenient points on the cast-iron fence for display. The photo below shows the way the neckline truly sits. This shawl, finally, is for me. Me, me, me, me, me:




Here it is, draped on the headstone of a lady who died almost two hundred years ago. I bet she hasn't been close to a pretty piece of lace in a long, long time, so I didn't think she'd mind a visit from the shawl.

My venue for today's photo shoot was Highland Cemtery, the oldest registered cemetery in Baton Rouge. I couldn't think of a better place to display the Voodoo Shawl than a genuine Louisiana graveyard, with the dead of 1812 resting peacefully beneath the oak and crepe myrtle trees. Highland Cemetery is a tiny and well-tended burial ground, just half a block outside the south gate of the LSU campus. Long ago, I lived in some student apartments across the street, and in nice weather, I spent a lot of time studying in this peaceful spot. Today, condos have been built right up to the edge of the ancient cast iron fence:




I love old cemeteries, and I'm so glad this one is so well maintained by the historical society.

I'm pleased with the final version of the shawl, and soon Lisa Louie will test-knit one from the beta pattern. After that, and perhaps after a bit of editing, the pattern will be offered for sale.
Stay tuned.

Of course, the moment I had this shawl blocked, I immediately cast on another one in the laceweight Carina Nebula colorway from Knitivity. It's a Christmas gift for my Mom:





All together now ... "aaaaaaawww, ain't it so cute and little?"

Do not laugh. I know Christmas is only 82 days away.

But I am a Saints fan. And also a Cubs fan.

I believe anything is possible.

Besides hanging around in graveyards and taking pictures of knitting, the first hint of fall also spurs me each year to go on a frenzy of housecleaning. Most other people do their big, annual cleaning in the spring, but I consider autumn cleaning as a means to shake the debris of the opressive summer out of my life and welcome the new year with a super-clean and de-cluttered house.

Yes, I said "new year. " It's in my DNA. I observe and respect the old Celtic tradition of all Hallow's Eve marking the beginning of the New Year, and, in fact, that's where you'll find the roots of our modern Halloween festivities.

The ancient Celts believed the dead could cross over to the other side only on the last day of the year. Throughout each year, the souls of the departed remained in this realm, wandering from place to place, looking in on those they'd known in this life, awaiting their time to move on. But on the last night of the year, all of the dead were believed to take to the road in one mass-migration to the other side.

Naturally, the prospect of parading spirits generated fear among the citizenry, who left cakes and ale on their doorsteps to sustain the dead on their journey, much in the same way that footrace fans today hand out Gatorade to runners in the Boston Marathon -- "here, have a gulp and run along, quick!" The offering was, in effect, a bribe for the departed to have a sip and a bite, and hurry on their way.

No one wanted the migrating dead to linger too long in any one place, lest they wander indoors to be trapped for another year, and most people believed that folks who were foolish enough to neglect to leave an offering would be visited with some form of otherworldly retribution. So the doors were shut tight, and candles were placed outside along with the food, to help light the spirits along their journey.

It didn't take too many generations for young people to figure out that those who were brave enough to venture outside on that night would be rewarded with all the ale and sweetcakes they could consume -- and that it wasn't too hard to carry on, and to fake supernatural outrage at the homes of those who failed to set out some sustenance.

And thus we have the early origins of "trick or treat."

Autumn is a good time to mark a new year, because it gives us a clean slate: the big work of the year has been accomplished, the harvest is done, the fields are clear, and now we have the business of settling down by the hearth to prepare for the winter months, a time in which to repair tools, make garments, preserve meats, spin yarn, make babies to be born in the bounty of the upcoming summer, and tell the stories and legends that help create cultural continuity. Thus the origins of "to tell a yarn," because the spinner was often the family historian as well as the keeper and teller of ancient legends.

Winter was also the premium time for travelling bards to earn their bread and board reciting the current news and events, and recounting heroic tales, while members of the household gathered round the hearth to spin yarn, knit socks and sharpen their farming implements.

Either way, stories were told while yarn was spun, and a particularly good story no doubt took enough time for the spinner to fill an entire spindle, and then wind off a hank of yarn. And thus today, we "tell a yarn," particularly if the story is prolonged, exciting and perhaps more than a bit exaggerated.

So I guess it's the Irish in me that spurs me to fling open our closets every autumn and purge those things no longer worn or used, to make the house fit for the refreshment of winter, visiting guests, and the news they bring.

And so, in the ancient and venerable tradition of the American South, we are having a garage sale this weekend.

It amazes me, the crap we accumulate over a period of less than a decade.

Particularly amazing are the clothes we hang onto in the vain hope that their eventual reappearance as retro fashion items will coincide with the mystical reappearance of our college physiques. And since my 1978 body most definitely did not come back into style like my 70s clothes ... out go the clothes, and we'll take care of the '80s while we are at it as well.

Best forgotten, the '80s, methinks.

Don't panic -- I am saving a few very sentimental things. My blue suede poncho, a paisley shirt, the disco-days prom dress which caused my mother to swoon before she even saw the actual garment, when she saw how small the bag was when I brought it home -- the poor lady no doubt had visions of me swathed in a grand, femme and fluffy creation like her own prom gown, the amazing sort of garment which somehow manages to present you as identifiably female, while completely diguising, padding and blocking any view of, or access to, all the important parts.

Instead, she got a daughter wrapped in a yard of shimmery, stretch Qiana.

And yes, my date had a powder-blue tuxedo, a ruffled shirt and John Travolta hair. We had a good time at the prom, pointing at the ceiling while we danced and drank spiked punch. He is now in law enforcement, and I have every intention of using that photo as my get-out-of-jail pass, should I ever Martha-Stewart myself into any sort of trouble involving insider trading on Koigu and Noro futures.

But I digress.

Onward through the strata of junk.

There will be unwanted books, and strange kitchen oddments, unidentifable tools and random pieces of mismatched furniture. There will be surplus office junk and some random computer components. There will be surplus cages, aquariums, shoes and clothes. You'll find Christmas things, and art supplies, and music that we have grown tired of. Also, I am a costume junkie, so I decided to part with a few costumes in time for someone who is still a size 6 to enjoy them at Halloween. I have to be realistic. If I lose about 15 pounds, I could easily be back in a size 8. But I haven't seen size six since Ronald Reagan was in office, and I need room in my closet.

Note to area knitters: y'all are welcome to come by and sit and knit, but I am not destashing.

Some of the clearing out involves throwing away things that are too shabby to offer for sale or for donation. Among the things I'll be needing to toss out are my summer PJs, which are ratty beyond belief. So I need to buy new ones.

And with this being the end of summer (according to the calendar, if not the temperature), you would think that the retailers would have some summer PJs on deep discount, for me to buy now, save money and squirrel them away for next year.

But apparently, I am asking too much. All I want are some simple, cotton pajamas. Pajamas exactly like the ones I had in college, please: boxer-type drawstring bottoms without the boy's fly, and a collarless short-sleeved top cut like an old-fashioned baseball shirt in a simple, woven cotton fabric. Not a solid, wan pastel, please ... just a cheerful print or maybe some cute stripes.

Is it just me? Because I cannot find women's summer pajamas to suit me, on sale or otherwise.

I can find lacy things, frilly things, leopard-print things with black feathers around the breastal area, nylon lace spiderwebs, and stretchy things that glow in the dark. I can also find granny gowns and ruffle-edged short sets in a pastel pink cotton-poly blend. And this time of year in our student-saturated neck of the city, I can also find untold numbers of knee-length dorm shirts bearing the local universities' logos.

But I cannot find pajamas.

I do not want a nightgown, a sleep shirt, a teddy or a negligee. I do not want a camisole top paired with stretchy micro-shorts or capri pants. Nor do I want a handful of ribbon and lace to deploy strategically upon my nether regions. I want pajamas that were intended to be slept in, and not some tiny scrap of frill intended to remain upon my person during my most private moments. If I want to be that private, the PJs come off. I'm pretty straightforward about most things in life, including private moments. PJs are for sleeping in, and non-sleeping activities do not require gift wrap.

My college warm-weather PJs were the best pajamas ever. I wish I'd had the budget and the foresight to fill a bunker with them, and I also wish I'd had the foresight to stockpile them in a variety of sizes while I was at it. One turquoise-colored set sported a Hawaiian print with tiny surfboards, palm trees and hibiscus flowers. The other set had super-thin stripes in white, hot pink and indigo. I could hang around the dorm in those PJs and not be embarrassed in the least if I was stretched out with a textbook, catching the breeze on the big, wide windowsill in the common room and the maintenance man happened to walk by with his toolbox, or some giggling girl dashed past me, towing the boyfriend she was sneaking into her room (in which case I was soon joined in the common room by a grumpy and temporarily evicted roommate).

Before I got married I made it clear to my husband that I was not a Victoria's Secret kind of gal (to this day, I adamantly maintain that the real secret is that Victoria herself wears nothing but holey grey sweats, eats Cherry Garcia ice cream all day long, and never leaves her apartment except to dump off sketches of the new torture-bra designs that pay her tabs at Starbucks and Takee Outee)....

Huh? Sorry, I got temporarily derailed in a recurring fantasy which involves living in New York City and subsisting entriely on coffee, ice cream and Chinese delivery...

...anyway, I most deifnitely do not sleep in anything scratchy, ruffly, or with wings attached.

I just want some pajamas, and I have learned a cold, hard fact
:

Nobody seems to make simple, presentable, warm-weather pajamas for grown-up women anymore.

Looking online and in the stores today, if I was ten years old, I could have summer pajamas with poison dart frogs, fish, planets, turtles, bluebirds, or retro-hippie daisies. And if I were a grown-up guy, I could have boxer shorts with sharks.

Sharks! Cool!

Me? I would snatch up some guy-jammies with sharks on them in a second, but apparently the Fashion Facists have decided that guys no longer need pajama tops. I think the idea is to sell the pajama bottoms for the same price as a whole set of pajamas -- great for the ol' profit margin --but this presumes that either the guy is either so smokin' hot that he doesn't need a top, or that a less pumped-up dude will provide his own ratty t-shirt to somplete the ensemble. This fashion industry decision was made sometime around 1988. Guys can even get long flannel bottoms for winter. But just try finding a top. I dare you.

Anyway.

Pajamas. Plain, simple, loose, cotton, US size 10. Also, not pastel. Any leads?

Friday, June 08, 2007

Voodoo Shawl Update:
Maui Style

Lisa Louie guest-blogs today from Maui, and gives us an update on the Voodoo Shawl's progress. Lisa is test-knitting the pattern before it is offered for sale. The protoptype Voodoo Shawl will be auctioned off soon to benefit an American Buddhist monastery, in memory of designer Lily Chin's mother and sister. If you're a new reader; I designed the pattern and knit the first half of the shawl for this fundraiser, then mailed it to Lisa for completion. For more information about the fundraiser (and earlier photos of the shawl in progress) go to my 4-27-07 post in the archves: "Listen, do you want to know a secret?" --Mambocat





Lisa writes:


Tarnation. Damnation. Ripnation. These words don’t seem to have much in common, and in fact, I made the last word up. But, at least to me they seem to have something in common: me and the shawl for Lily’s family. Tarnation because it’s been quite………… vexing in some regards. Damnation, because that’s probably the least offensive of some of the words I’ve used about it recently, and ripnation, because it seems I’ve been visiting the nation of ripping. As in ripping out rows of knitting. Also known as “tinking” or unknitting stitch by stitch.

I am making progress, however, but have been troubled by a couple of areas requiring extra attention. First problem was the dreaded “color stacking” or “color pooling” problem. This occurs when the individual colors of your variegated yarn start collecting themselves into unsightly blobs on your knitting instead of flowing into graceful and attractive bits of color disbursed throughout your work. This is a simple problem to fix. Once you notice it. It took me a few more rows than I care to admit to before I noticed the problem and ripped back. This, as you may have guessed, lead to the second word of the series: damnation. Some language, which I will not sully this blog with, ensued.

After I fixed the problem, I kept going, and found myself making good progress. I also made a serious boo boo and placed a series of YOs (yarn overs) in the wrong places. Oops. Yes, it was obvious. Yes, it needed to come out (sob, sob) and yes, there was both tarnation at myself for screwing up something so simple, and again, more language politely covered by the word damnation. This time it was about 10 rows that had to be removed. Ouch.

At this point, I can safely report that I am over both roadblocks and find myself rapidly approaching the end of the second skein of yarn. Total yarn usage on this shawl will be about 2 ½ skeins worth of knitting, so significant progress is being made. (Yarn: Blue Moon, Socks That Rock.)

I have come to the conclusion that this shawl seems to have its own agenda and time frame. I was hoping to have it done and for sale by Mother’s Day, but that is obviously not the case. It will be done when it is ready, and not before.



Often when I am knitting, I play a music or concert DVD. My soundtrack for this project seems to be Concert for New York, which is a collaborative effort of many, many famous musicians (think Mick Jagger, Paul McCartney, Bon Jovi and more) to honor and support the firefighters, police and medical personnel of New York after 9/11. I’m not sure if this is a fluke, but it seems to be appropriate for this shawl to be “born” to a soundtrack created after a tragedy of unprecedented horror which affected New York, and the world. The shawl is, after all, created to honor Lily Chin’s mother and sister and their losses and the hole they presumably left in Lily’s, a native New Yorker, life. At some level, the inspiration and message of the concert and the shawl are the same: Hope, healing and comfort after a terrible loss. Honor those who are here no longer. Comfort and support yourself and go forward. Or, maybe the shawl just likes rock and roll.


Either way, it’s on its way to being done, and just so you know, it right now is about 400 stitches wide, and growing at the rate of 4 stitches every two rows. It’s going to be awesome.

--Lisa Louie

Sunday, May 06, 2007

Non Sequitur


Sunday



My writing mojo is away on spring break, so here are some thoughts for today, in no particular order or relation to one another whatsoever.



Random Cat Photo:







"Hello, my name is Seven. I am three years old. When I am not busy looking fetching in my fur tuxedo, I am an Assistant Yarn Manager here at the Knitting Asylum, and I am the chief engineer in charge of Needle Tooth-Tolerance Assessment. I am also developing a secret plan to take over Captain Sig's boat and get me some of that codfish and king crab I see on TV."

"Or maybe Captain Phil. He seems like more of a cat person."


Garage Sale:


Helped a good friend unload a lot of stuff on the unsuspecting public yesterday morning.


She follows that most sensible of Garage Sale Rules: once it goes outside, it's like Elvis -- it has left the building.


What didn't sell by three o'clock, went to the charity store. Truly hopeless crap went to the curb. It's amazing what the neighborhood scavengers will load up on, once things hit the curb. In this case, three broken lamps, two rickety weight benches, mismatched weights for both, and a partly disassembled Nordic Track -- all compenents present, just not together. In a box, even.


Left my camera at home, which was a shame, because, like any normal garage sale in Louisiana in May, there were friends peeling boiled crawfish in the kitchen for dinner later on, which is what happens when you celebrate the Kentucky Derby and Cajun Cinco de Mayo. You have crawfish enchiladas.


And beer, once the garage sale is done.


The event attracted the usual cast of garage sale characters: The retired gent who wants to buy everything that's not for sale ("you want that sawhorse?") ... the uber-early birds trying to haggle for mega-bargains before sunrise so they can have more merchandise for their own garage sales ... the dude who comes around looking for broken junk to recycle ... and the lady who wants to know if you have "another shirt like this one, but in blue."


Junk morphed into enough cash to pay a household bill and buy some beer ... three large sacks of crawfish were peeled (enough for about 5 pounds of meat) ... and the thrift store got a carload of useful clothing, toys and oddments. We did have misgivings about donating a bunch of nekkid and dismembered Barbies, but we were assured by the lady at the thrift store that they have a volunteer who will take a bagful of Barbie components and reassemble them into as many Frankenbarbies as possible.



Horses

And ... a Louisiana boy named Calvin Borel rode Street Sense to win the Kentucky Derby. That's something to celebrate.




Wet

It's a good thing the garage sale wasn't scheduled on Friday, because we got something like eight inches of rain in a two-hour period here in Baton Rouge, and even though our house is not in a low-lying area, our street looked like this:







It's only about three inches deep in the yard and right up there on the walk at the bottom of the photo, but it's about calf-deep out by the street.


Yarn from Knitivity

A package of yarn arrived a few days back from Ray Whiting at Knitivity. Ain't it purty?






Gorgeous stuff, and soft like you would not believe. These are Ray's hand-dyed colorways. The "Sock" yarn (top) is in a colorway called "New Jeans." At center, worsted weight "Southern Purls," colorway "She Made Me Do It." At the bottom, "Biagio" sportweight wool singles in colorway "Fairies of the Forest." Ray has a wide variety of colorways and weights to choose from. Knitivity is a home-based business; Ray is a displaced New Orleanian now living in Texas. Fast service, very reasonable shipping, and truly beautiful yarns. Each batch is truly a work of art.



Knitting:

Having safely transported the "Socks That Rock" fundraising version of the Voodoo Shawl to Hawaii for Lisa to knit her share, I started on the Voodoo Shawl that's for me (finally, one for memememememe!) in Koigu, in shades of spring green and teal. This is the most fun pattern I have ever come up with and I can't wait to get a final proofread and that critical "blind" test-knit for pattern errors before releasing it for sale.

You see, I am part of a very small online yarn and pattern business. Some huge yarn companies (who shall remain unnamed) are in the habit of nonchalantly releasing error-ridden patterns, yet their customers, addicted to their luscious yarns, often take this inconvenience in stride, search for the corrections online, and loyally plug along with the flawed, expensive pattern and the very expensive yarn that goes along with it.

Unlike these large and unnamed yarn companies, we don't have yarn groupies who will tolerate YO's where there should be SSK's and figure it out for themselves. We don't have a loyal following who say things like, "Oh their patterns are just crappy with mistakes, you really have to be careful, but the designs are so gorgeous and the yarns are so yummy that it doesn't matter!"

Alas, we have to build a reputation, and we hope that reputation will be for error-free and easy-to-comprehend patterns, whether it is a shawl, a sweater or a lace cozy for the Golden Gate Bridge.

So here's a sneaky unblocked peek at the beginning bit of my own personal Voodoo Shawl. I've worked it up in several yarns and colorways in the past year, and the end result is good no matter what yarn you use. In this case, the yarn is Koigu, which is doing a bit of interesting color-dappling but so far, no actual color-pooling.






Oh, and happy Cinco de Mayo!

Now about those crawfish enchiladas...

--Mambocat

Friday, April 27, 2007

Listen...

(doo wah doo)






Do you want to know a secret?

(doo wah doo)






Do you promise not to tell?

(oh ... oh ... oh ... oh)




Closer...
(doo wah doo)








Let me whisper in your ear...

Say the words you want to hear....



This shawl will be completed and up for auction, soon, for a very good cause.
Upon completion, the shawl will be auctioned on Ebay as a fundraiser for the
Kagyu Thubten Choling Monastery
in memory of
the mother and sister
of knitwear designer Lily Chin,
both of whom died
earlier this year.
Pattern: Voodoo Shawl by Dez Crawford (soon to be available)
Knitted by: Dez Crawford and Lisa Louie
Yarn: Blue Moon Fiber Arts -- Socks that Rock -- lightweight -- 360 yards -- 4.5 oz. -- "Chapman Springs" colorway
Funds donated in memory of Lily's mother (Linda) and sister (Mabel) will be contributed to the construction fund for a prayer hall and cultural center at the monastery.
Stay tuned to this blog for the announcement of the auction.
Private donations can also be sent to:
Kagyu Thubten Choling Monastery
245 Sheafe Road
Wappingers Falls, NY
12590
Lisa Louie and I have embarked on this project together. We will each knit half of the shawl. I completed my half the other day, and put the shawl and yarn in the mail to Lisa. She will finish, photograph and block the completed shawl, set up the auction on Ebay, and mail the shawl to the winner.
While I was knitting my share of the shawl, I gave a lot of thought to the Buddhist concept of the "Field of Merit." Put simply, this is the idea that all of our actions, however great or small, affect others, and that no being exists in this world without an entire network of other beings who work in ways, large and small, for the benefit of one another.
I meditated on the yarn going through my hands. There were people who raised, nourished and cared for the sheep. Someone sheared the wool, which was then carded and spun into yarn. Dye was produced, and the dyers at Blue Moon Fiber Arts then infused this yarn with their energy, which then came into my hands, and passed across fingers and needles, and which now is in route to Lisa in Hawaii, who will infuse it with her own energy.
Many people have been involved in smaller, but no less important ways: the people who tend the machines at the yarn mill, the people who manufactured the needles, the many people who carried packages so that yarn and wool could travel to and fro, and Tom the mail carrier who put the box in my hands.
And then there is Lily Chin,
who has given us all so much beauty, and her mother and sister, who gave beauty to her, and all of their interactions, which played their part in making Lily the person she is.
And so we want to remember these two women, and we think this is the best way to honor them, and to honor Lily as well for all she has given to us in the world of knitting.
And
there is also the person who will win the bid on this shawl,
perhaps as a present to celebrate a joyful occasion,
perhaps to give as a comfort to a grieving friend,
or maybe simply for the pleasure of having a good shawl, and the satisfaction of donating money
to people who,
in their turn, do good for others.
Stay tuned for updates on the progress of the shawl,
more information about the monastery,
the opening date of the auction,
and for the introduction of Pineapple Gumbo, the collaborated knitting efforts
of Dez Crawford and Lisa Louie.
--Mambocat
p.s. --my apologies for the odd spacing; I will try to correct it on Blogger.