Knitting, life in the animal sheltering business, cats, dogs, herpetology, sheep, handspinning, the daily culture report, and other arcana.
Sunday, November 07, 2010
Saturday, August 21, 2010
Tuesday, July 20, 2010
Sunday, July 04, 2010
Tuesday, June 22, 2010
Thursday, June 10, 2010
If you live on Anystreet in a subdivision in Anywhere, USA, your house, be it modest or grand, probably doesn't look terribly different from all the other houses on your street. I'm sure it's a very nice house, but it may be one of seven different floorplans, with a choice of five tastefully neutral exterior paint jobs: ecru, camel, cream, sage and mocha. You may have subdivision restrictions dictating what sort of fence you can build, how tall it can be, and what sort of things you can park in your driveway. If you read the fine print of your subdivision restrictions, you may learn that you can't plant a vegetable garden that's visible from the street, that your front door must be painted one of three specific colors, that your bird feeders, barbeque grill or your kids' basketball goal must not be visible from the street, and that you must have a certain sort of mailbox at the end of the drive. They may even tell you how many pets you can have, and what breeds they must be.
Most Americans don't have the sort of job that makes it difficult to consider living elsewhere. Perhaps you are a chemical engineer, a nurse, a computer programmer, or a math teacher. You may be a police officer, an accountant, a welder, or a mechanic. No doubt you work hard for a living, and you value the time you spend at home alone, or with your family, on the weekends. You probably love your home, and, as far as I'm concerned, there is absoltuely nothing "wrong" whatsoever with your choice of home or your way of life.
If you have kids, they are probably in a decent public school district, and no doubt there is a wide selection of familiar American chain restaurants, a hospital, a Home Depot, WalMart and a bank within reasonable driving distance of your home. If you are religious, a place of worship in the faith of your choice is probably not far away, along with a convenient Texaco station, Albertson's or Safeway supermarket and a CVS or Walgreen's drugstore. The local mall features a Gap, Toys R Us, Petsmart, Old Navy, Pottery Barn, Stein Mart, and Bed, Bath and Beyond, along with other similar, familiar franchise stores.
You probably know only a few of your neigbbors reasonably well, and you may have only a nodding acquaintance with the others.
If you live on Anystreet, you probably weren't born there. You may have been born in Boston, Cleveland, Detroit or Buffalo, and perhaps your parents have retired to Phoenix. Maybe you have a brother in Alexandria, Virginia and a sister in Los Angeles. If you're lucky, you see them a few times a year and you go out to eat at the Outback, Chili's or Applebee's in their neighborhood. You don't have to look at the menu. You already know what you like.
If you are an American and, and you have wondered why we stay here on the Gulf Coast, and what I've said so far sounds something like your life ... I'd guess that your family, while happy and content, probably has no deep roots in any one place for more than one generation. You and your siblings likely grew up and moved far away from home, and from each other. Your own children will eventually get jobs as pharmaceutical reps, or insurance agents, or restaurant managers, and they, in their turn, will move far away to New York, Sacramento, Raleigh, or Dallas, where they may purchase a house much like yours: on a street in a subdivision, with a familiar chain supermarket, bank and drugstore, with good schools nearby, and familiar franchise retailers close at hand.
Like you, your children will probably consider themselves to be reasonably happy with their lives, and, like you, your children will have difficulty understanding those of us, in other places, who keep rebuilding after Mother Nature knocks us down.
"Why don't they move?" you may ask the television when the news features stories of people rebuilding after another hurricane, another wildfire, another Midwestern flood. "Why don't they move to another city, to a safer place?"
If you live in Anywhere, USA, and you program computers for a local bank, and your spouse is a physical therapist, it's likely that you can easily imagine mobility. It's different if you are a jazz club manager, a tour guide, a shrimper, a Creole chef, a trombonist, a costume maker, an underwater welder, or a maker of fishnets. How many places in America can a parade float builder look for work?
If, in the unspeakable event that Anywhere, USA gets blown off the map or burnt to a pile of cinders, you can probably imagine collecting your insurance, dusting off your resume, and relocating to Reno, Denver, Miami or Bakersfield. You can get a job programming computers for another bank. Your spouse can find work at a hospital. On the weekends, you may eat dinner at an Outback or TGIFriday's, and even though it is in a different state, the food will taste the same, although you will try to find subtle differences. Your teenagers will buy their clothes in a different shopping mall, but the plastic sack they carry home will bear the same logo from the Gap or Urban Outfitters.
And so, if circumstances force you to relocate, it is not so terribly hard to imagine shopping at a different mall, programming computers for a different bank, driving through a different McDonald's, or buying your groceries at a different WalMart. It's not so difficult to imagine moving into another new (or relatively new) house or apartment, in another subdivision full of mocha-, sage- and cream-colored houses, and calling it home. And because you can easily imagine calling a new place, "home," you may not be able to understand those of us who have difficulty with that concept.
If, on the other hand, you are a person who lives an a venerable old city with a strong identity of its own, like San Francisco, New York or Chicago, in a neighborhood where family-owned businesses have been handed down for generations, you may feel a twinge of empathy with people who, like you, buy their groceries at Langenstien's, fill their prescriptions at Uptown Delivery Pharmacy, buy their lunch at Guy's Po-Boy's, and drink their beer at the Buddha Belly (where you can also eat lunch and do your laundry). You understand people who buy dog food at Ott's Pet Shop and tacos at the Flying Burrito. Yarn comes from the local yarn store, not Hobby Lobby.
This hurricane season, those of us living on the Gulf Coast of the United States of America are facing the worst oil spill in U.S. history in the opening weeks of what is expected to be a fierce hurricane season. We are entering hurricane season with a growing catastrophe already on our hands, because getting some measure of control over the spewing well is just the beginning of a long, hard road -- exactly in the same way that the disaster was only beginning when Hurricane Katrina's winds died down.
Saturday, May 01, 2010
Monday, April 19, 2010
This is Lisa Louie, posting from Maui, with supply list and homework for the upcoming classes. As Dez mentioned, Gauge Games during regular Knit Night is a fundraiser for the Battered Women's Shelter. Cost for Hot Stuff and Putting More Art in Your Craft is $25 each class, or $45 for both for early bird registration. Later registration is $35 each or $65 for both.
Gauge Games:
bring:
tape measure or ruler
pen/pencil
paper if desired
calculator if desired
a few straight or "lollipop" pins
about 50-100 yards of relatively smooth, medium or light colored worsted weight yarn- same as you used for your homework
appropriate sized needle ( or crochet hook if crocheter)
Homework:
Cast on 26 stitches in above yarn and needle. Work about 6 rows of garter stitch, then work 2 stitches garter, 20 stitches stockinette, 3 stitches garter. Work until piece is about 3 or 4 inches long. Leave on needle, bring to class.
Putting More Art in Your Craft
Bring:
3 or more different colors, textures, fibers of a fairly small amount of yarns. Leftover skeins work well. You will need somewhere in the neighborhood of 100 yards for this project.
A selection of assorted size dpns or short circular needles or if you are a crocheter, a selection of crochet hooks
stitch markers
pen/pencil
notebook/ paper
beads and other embellishments if desired
an open mind and willingness to explore
Homework:
You will be creating a small hand made bag during this class. Please create the bottom before you come. Work either a square or a circle about 3-4 inches across before you come. Bind off.
Hot Stuff:
Bring:
Bring a pattern or patterns that you would like to adapt to warm weather wearin' with you. Pen/ pencil and something to write on will also be necessary.
This is a discussion/ question and answer type of class instead of a hands on learn a new technique kind of class. Yes, you can knit in class as we won't be working on a specific project.
If you've got questions, let me know. I hope this covers everything.
Aloha and mahalo,
Lisa Louie
Kahului, Maui, Hawaii
Wednesday, April 14, 2010
Aloha, Baton Rouge!
Fiber artist, designer and knitting instructor Lisa Louie of Maui, Hawaii (who is also my dear friend and occasional guest-blogger) will be on the mainland during the last week in April with featured work in the “Art Healing Lives” art exhibition at the Minnesota Textile Center, and during the first week of May, teaching classes at the Knitting Asylum here in Baton Rouge.
When Lisa is not teaching knitting and creating fiber art, she teaches at an educational support center on Maui for kids struggling with learning disabilities and for adults working on getting their GED.
She will be making a stop in Baton Rouge for a few days to visit and teach classes at the Knitting Asylum.
Classes to be offered are:
Gauge Games: Unveiling The Mysteries of Gauge
Gauge Games will be taught informally on Thursday, May 6 at the regular Knit Night activities from 6:30 till 8:30 at the Knitting Asylum. There is no set fee for this class. Instead, Lisa requests that attendees make a donation in the most generous amount they can afford (be it $5 or $500) for the Battered Women’s Program. There will be an alternate location if too many people sign up to fit comfortably in the shop. “Gauge Games” is a fun, highly interactive class. Bring yarn and appropriate-sized needles, and a notepad and pen. Details for a small “homework” swatch to bring to the class will follow soon.
Hot Stuff: Knitwear for Steamy Climates --
10:30 - 2:30 Saturday, May 8
Ever laugh your head off (or look enviously at) the long-sleeved cotton “summer sweaters” designed for people who live in climates where it actually cools off in the evening? We Southerners all know that the only real use for a worsted cotton garment in our beastly summer climate is on the back of your desk chair in an overly refrigerated office. Lisa will teach you to substitute cotton, soy, bamboo, linen and other warm-weather fibers to their best advantage for your own spring and summer designs, and to adapt or modify existing patterns for realistic use in our beastly summers -- for example, a worsted cotton cardigan modeled on a beach in Maine can be converted to a highly wearable shell top for office or casual wear. Bring a pattern or two that you’d like to adapt for hot-weather wear, and a pen and notebook. Class fee will probably be $25. A yarn sample pack for swatching will be available for under $10.
Art Knitting: How to get Art in your Craft --
2:00 - 4:00 Saturday, May 8.
Lisa will guide students through creative exercises designed to infuse your own designs with your unique style. Class description details and fee will follow. Fee will probably be $25.
Expanded class description and materials description will follow soon.
Please sign up by replying to this post with your name and the name of the class that you are interested in.
This post will be edited periodically to provide additional details as soon as they are known.
I hope you all consider participating in this unique opportunity!